I’m re-blogging this invigorating and inspirational post by Hugh Howey – which was drawn to my attention by Ricardo over at Reedsy – simply because it IS so invigorating and inspiring. It looks as if comments are closed on the original post, but feel free to comment and discuss here… So You Want to […]
above: artwork for ‘The Methuselah Paradox’ trailer by Catherine Archer-Wills by EJ Jackson The Beginning First of all, I should make it clear that I’m not claiming that this is the only way to create a book trailer, or that you as an indie author should follow my method. Mainly because, when I began the process, […]
It’s always great to meet like-minded folk. The team at Scannerdrome TV interviewed me yesterday about my writing process, book trailers, and why we love sci-fi. The hardest part? Wanting to ask them questions about what they’re doing, how they got started with Scannerdrome, and so on – maybe next time! In the meantime, do […]
I primarily write science-fiction, but I’m a sucker for a good story with believable and sympathetic characters, whatever the genre. (As, I’m quite sure, are you.) The same goes for my TV and film choices. So my recent viewing has included dramas such as ‘War & Peace’, ‘Dickensian’, ‘Humans’, ‘The Bridge’, ‘Detectorists’ (yes, I know it’s comedy, but as far as I’m concerned, it’s still drama), ‘Dad’s Army’ (ditto), ‘River’, ‘Prey’, ‘True Detective’, ‘Ten Little Soldiers’… and of course, ‘Doctor Who’. Films like ‘Transcendence’, ‘Big Hero 6’ and ‘Avatar’ rub shoulders in my DVD collection with ‘Best Exotic Marigold Hotel’ , ‘The Lone Ranger’, ‘Before I Go To Sleep’ and ‘Gone Girl’. I could go on, but I think you get the picture. A good story is a good story, regardless of genre.
A book is the longest of long form drama…
A book is, ultimately, the longest long form drama of all, isn’t it? The visuals take place in your imagination, rather than on a television or movie screen, but the dramatic principles are the same, only the way in which they are presented changes. Now we get to the question of genre – the one thing we are taught that we should know about our stories when we write, pitch and market them. But what if your story appears to cross genres? How do you market it to attract all the readers who might want to read it? And so we find ourselves taking part in the Genre Game. Continue reading →
‘The Methuselah Gene’ is now ‘The Methuselah Paradox’ This book has had more titles than I’ve had hot dinners! Well, not really… but it started life as a short story titled ‘The Journey’, before becoming a full-blown novel called ‘All Our Yesterdays’; then it became ‘All Our Tomorrows’. Following a massive rewrite during which the secondary plotline […]
If someone had told my fifteen-year-old self that I would one day create an appreciation society for a favourite science-fiction show (a club which is still going strong thirty-four years later) or that I would be invited to visit the set, go to sci-fi conventions and meet authors, directors and actors, write a novel, and have the opportunity […]
Two reasons – the first reason being that Alison Jane Reid (formerly of ‘The Times’ and ‘The Lady’) did a fabulous online three-part video interview with one of my favourite actors, John Simm, last year (you can view it here) and she is now about to publish a new, in-depth profile interview with John in the […]
I’ve been writing ‘The Methuselah Gene’ (previous working titles have included ‘All Our Yesterdays’, ‘All Our Tomorrows’ and -very briefly- ‘Time Will Tell’). It evolved from a mind-bending time-spanning love story to a much darker tale of death, kidnap and genetic research I could hardly have imagined when I wrote the very first line back in 2011.